The NTSB gets surprisingly serious about distracted driving...
In the aftermath of their investigation of a 2010 fatal accident involving a semi, a pickup, and two school buses, the National Transportation Safety Board (NTSB) has come down very hard on cellphone use while driving. Their refreshingly crisp recommendations include:
To the 50 states and the District of Columbia:
(1) Ban the nonemergency use of portable electronic devices (other than those designed to support the driving task) for all drivers; (2) use the National Highway Traffic Safety Administration model of high visibility enforcement to support these bans; and (3) implement targeted communication campaigns to inform motorists of the new law and enforcement, and to warn them of the dangers associated with the nonemergency use of portable electronic devices while driving.
The response has been prompt and predictable. It's unenforceable, it's not fair to me, and my gut tells me the science is wrong.
I'll bet none of us are in favor of drunk driving. Yet, in many studies drivers are as impaired by the use of personal electronic devices (including hands free) as they are by an illegal blood alcohol concentration. Distracted driving has joined DUI and speeding as a major risk factor for accidents, injuries, and fatalities. Impairment is impairment.
I agree a ban on hands free devices is all but unenforceable. It's pretty hard to tell if the driver in the next car is on a conference call, singing along with Lady Gaga, or yelling at their kids in the back seat. But what part of not allowing people to drive as though they're drunk or traveling at 20 miles per hour over the speed limit strikes us as unfair or unreasonable?
What we choose to do on our own time in our own cars is between us, our screaming passengers, our insurance company, and perhaps the local police. But now that the NTSB has taken a stand it seems to me the challenge will arise when an employee is involved in an accident attributed to PED use while on the job or operating a company vehicle. If company business practices require use of a PED while in motion then OSHA and/or DOT will get involved, insurers run for cover, and litigators will have a field day. If company policy prohibits PED use in motion - and business practices reflect a commitment to the policy - then perhaps the employer will have some legal recourse.
I suppose the precise text of the NTSB recommendation "Ban the nonemergency use of portable electronic devices (other than those designed to support the driving task) for all drivers" give law enforcment and other emergency services personnel some wiggle room with regard to radio handsets.
As for the science, we know that speed enforcement reduces the number and severity of accidents, even though there are some drivers who are safe as houses at 160 mph. We know that DUI enforcement reduces highway carnage, even though almost all of us know someone who once had too many drinks and still got home safe. Yeah, my gut tells me texting is obviously worst, hand held next, and then hands free, but the research suggests they're all pretty distracting.
After reading some of the studies that support the NTSB's new recommendation I'm going to try to hang up and drive. If you call me and get a message saying that I don't answer the phone while I'm on the road I hope you'll understand. There's way too much data out there telling us we're not nearly so good at multitasking as we think we are.
Some of us are old enough to remember life before personal electronic devices became 24 hour leashes. We managed to survive without cellphones then, just like our parents did before telephones, or our grandparents did before cars. We're going to be okay even if we have to unplug for an hour or two a day while we pay attention to the road and our neighbors on it.
Photo Credit: AP Photo/Jeff Roberson
Friday, December 16, 2011
Wednesday, December 7, 2011
A Day That Will Live In Infamy...
December 7, 1941...
In a geopolitical sense the attack on Pearl Harbor was predictable, perhaps even inevitable. The precise timing was certainly a surprise though. The war in the Pacific was a vicious conflict waged against a brutal foe. The good guys won, but not without paying a heavy price.
These days Americans drive cars and watch TVs made by Mitsubishi, the same company that manufactured the infamous A6M Zero fighter. And Japanese travelers fly around the world on airliners made by Boeing, who also made the B17s destroyed at Hickam Field that morning, and the B29s that delivered the atomic bombs that ended the Second World War four years later.
We honor the dead, who are forever young. We pay our respects to the living, who number fewer and fewer with each passing year. The wheel turns...
Photo Credit: Wikimedia Commons
In a geopolitical sense the attack on Pearl Harbor was predictable, perhaps even inevitable. The precise timing was certainly a surprise though. The war in the Pacific was a vicious conflict waged against a brutal foe. The good guys won, but not without paying a heavy price.
These days Americans drive cars and watch TVs made by Mitsubishi, the same company that manufactured the infamous A6M Zero fighter. And Japanese travelers fly around the world on airliners made by Boeing, who also made the B17s destroyed at Hickam Field that morning, and the B29s that delivered the atomic bombs that ended the Second World War four years later.
We honor the dead, who are forever young. We pay our respects to the living, who number fewer and fewer with each passing year. The wheel turns...
Photo Credit: Wikimedia Commons
Monday, December 5, 2011
Charley's Aunt
Now showing at the Guthrie's McGuire Proscenium Stage...
The Guthrie does a very nice job with this family friendly farce. I'd never heard of Charley's Aunt or its playwright Brandon Thomas, but I'm glad to now be acquainted. Many of the actors are younger than the usual Guthrie production and they seem to have a fine time with it. Among them Thallis Santesteban is especially winsome. Remember, you can purchase rush seats at a deep discount a half hour before showtime.
Photo credit: T Charles Erickson
The Guthrie does a very nice job with this family friendly farce. I'd never heard of Charley's Aunt or its playwright Brandon Thomas, but I'm glad to now be acquainted. Many of the actors are younger than the usual Guthrie production and they seem to have a fine time with it. Among them Thallis Santesteban is especially winsome. Remember, you can purchase rush seats at a deep discount a half hour before showtime.
Photo credit: T Charles Erickson
Saturday, December 3, 2011
Hugo by Martin Scorsese
Which is titled Hugo Cabret in more sophisticated markets, is simply wonderful...
Words fail me, but here are a few: kind, gentle, wondrous, jaw-dropping, clever, lovingly crafted, magical, and the nicest movie I've seen all year. If you love movies see Hugo.
Monday, November 28, 2011
Says What It Does And Does What It Says
The infamous Lars von Trier delivers in Melancholia...
Melancholia is the first film by Lars von Trier I actually wanted to see and the only one I've ever been able to sit through. Presented in two parts, the first begins with an opulent and disastrous wedding reception featuring Kirsten Dunst as the horridly dysfunctional bride, the second ends with the destruction of the earth when it collides with the titular rogue planet. No, that's not a spoiler, unless you arrive late for the prologue. Dunst and Charlotte Gainsbourg play sisters dealing with depression, fear, and anger one can easily credit to their upbringing when we are subjected to their estranged parents at the reception. Gainsbourg is very interesting to watch but most of her work - other than the unwatchable Antichrist - has been in French cinema so this is the first performance of hers I've watched all the way to the credits. Kiefer Sutherland is present but has little to do and...well, let's just say he's no Jack Bauer when it comes time for the end of the world. Dunst plays a severely depressed woman who comes to terms with her impending fate with a firm resolve. She's always been an interesting actress but she wades into this rather surreal material and demonstrates some serious depth in Melancholia.
Photo Credit: Christian Geisnaes
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